![]() ![]() Client files include full-size drawings of the windows - in a digital form - allowing them to efficiently make replacement pieces. The letters, too, have turned to email, phone calls and Zoom meetings. With a paper library turning digital, the renderings are a sales tool for future window scenes. Sprinkled throughout the designs are hidden gems like the Peanuts character Schroeder playing the piano, the Elba fire tower and Sugarloaf Bluff. “Obviously, the narrative that we can add by telling a story gives it richness but the material itself - the way that it really has a life of its own to me - is what really transforms a space into something that’s immediately calming and contemplative, and I’m sure that’s why it finds itself into worship spaces,” Janda said.Įach project tries to rely on the glass’ base color with mostly “earthy” paint colors added. Janda described glass as a transformational material that “moves with light.” The space’s light conditions also impact texture choices in glass selection. All windows shine with opportunity from “more freedom” with fresh windows and lessons from old windows, Janda said.Īrtists use mouth-blown glass from Germany and rolled glass from the U.S., though they prefer the “antique” of mouth-blown glass, Janda said. He came “bright-eyed” to the stained glass industry with a start in restoration, including Tiffany windows, and its restored and newly created windows often make his travel list. “(William Willet) really rebelled against those opalescent glass windows because it wasn’t the true European way they made stained glass,” Biggerstaff said. The Gothic-style churches on the East Coast diverged from the opalescent windows that contained an opaque, milky quality. Notes William Willet as establishing “the foundation for a new twentieth century (Gothic) revival,” which he shared with their son Henry. ![]() The partnership “propelled” the studio into the American stained-glass world, Biggerstaff said. Their West Point projects formed the longest stained-glass commission from 1911 to 1977, according to Biggerstaff. As artists, William and Anne Lee Willet crafted alongside artist John La Farge and architect Ralph Adams Kram before winning the commission for the U.S. ![]() The first Willet Stained Glass and Decorating Company windows shone in 1898 in Pittsburgh, Pennsylvania - already an “old world craft” formed in the Middle East, Europe and Asia. ![]()
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